Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

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Blues as a genre shaped the sound of jazz in the early 20th century and directly led to the creation of rock 'n' roll in the '50s. The scales, chords, and progressions of blues as a musical form can be found in styles from jazz to rock to contemporary R&B.

Follows the life of Bill Walton, from his earliest days as a high school basketball phenom to some of his wildly successful years at UCLA.

The Spirit Moves: A History of Black Social Dance on Film, 1900–1986 is a documentary film by Mura Dehn chronicling the evolution of African-American social dance throughout most of the 20th century. In its original form it consists of nearly six hours of rare archival footage shot over the course of thirty years. Since 1987 this complete version has only been available for viewing at a select few institutions (the Library for the Performing Arts at Lincoln Center in New York City and the Smithsonian). In 2008 the first three parts of Dehn's work, totaling two hours, were remastered and released on DVD by Dancetime Publications.

A young ranger in the Montana wilderness discovers the great forces of nature while learning the importance of honor, trust and integrity. Legendary veteran ranger Bill Bell educates the young man and guides him toward manhood. The year is 1919-a time when being a ranger meant more than operating expensive equipment. Forest fires were fought with guts and courage, not chemicals and airplanes. Bill Bell was the toughest ranger in an elite crew of very rugged men. A figure of heroic proportions, he was generally feared and respected by all. It was even rumored that he had at one time killed a sheep farmer, which only fueled his already enormous reputation. The young ranger does everything to remain in the good graces of Bill Bell, the senior ranger he idolizes. Their tentative rapport grows into a friendship through a hilarious and heroic rite of passage in which the younger ranger meets the test-and the woman of his dreams.

A young ranger in the Montana wilderness discovers the great forces of nature while learning the importance of honor, trust and integrity. Legendary veteran ranger Bill Bell educates the young man and guides him toward manhood. The year is 1919-a time when being a ranger meant more than operating expensive equipment. Forest fires were fought with guts and courage, not chemicals and airplanes. Bill Bell was the toughest ranger in an elite crew of very rugged men. A figure of heroic proportions, he was generally feared and respected by all. It was even rumored that he had at one time killed a sheep farmer, which only fueled his already enormous reputation. The young ranger does everything to remain in the good graces of Bill Bell, the senior ranger he idolizes. Their tentative rapport grows into a friendship through a hilarious and heroic rite of passage in which the younger ranger meets the test-and the woman of his dreams.

Explore different periods of human history through a variety of sketches.

A washed-up '80s pop star gets a chance at a comeback when reigning pop diva Cora Corman invites him to write & record a duet with her, but there's a problem--Alex hasn't written a song in years; he's never written lyrics and he has to come up with a hit in a matter of days.